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<channel>
	<title>Rui HU 胡芮</title>
	<link>https://hurui.ooo</link>
	<description>Rui HU 胡芮</description>
	<pubDate>Thu, 13 Nov 2025 17:54:30 +0000</pubDate>
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		<title>main 首页</title>
				
		<link>https://hurui.ooo/main</link>

		<pubDate>Fri, 22 Jun 2018 00:05:07 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

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		<description>&#60;img width="564" height="564" width_o="564" height_o="564" data-src="https://freight.cargo.site/t/original/i/864fc3c3b47afdbf9eef880a88bf7c37b2d3b4a32c17de6e5f565b6bcb9658ad/Ray---southern-eagle.png" data-mid="218841304" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/564/i/864fc3c3b47afdbf9eef880a88bf7c37b2d3b4a32c17de6e5f565b6bcb9658ad/Ray---southern-eagle.png" /&#62;































Sometimes you do, and sometimes you don’t.When you do, it’s not unlike when you don’t.



( ©_© ) 胡芮 HU Rui 2025&#38;nbsp; &#38;nbsp;


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		<title>imminent decisions</title>
				
		<link>https://hurui.ooo/imminent-decisions</link>

		<pubDate>Thu, 13 Nov 2025 17:54:30 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

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		<description>Imminent Decisions is the code name for a generative worldbuilding project, which originated from my interest in the potential transformation of human conditions under climate change. It serves as a foundation and provides a setting for branching projects, including a role-playing card game and a lecture-performance.
 In this setting, two new forms of future city emerge: floating cities and urban rewilding. They are often seen as plausible geoengineering ideas in response to the climate crisis. In my worldbuilding, some coastal cities are researching and making decisions around more extreme versions of these two urban forms. Projects based on this setting often focus on the process of research, testing, and decision-making by the citizens. The worldbuilding, as science fiction or speculative fiction, becomes a generative backdrop for the work, stimulating and containing various concepts and narratives.
 


《临近的抉择》 是一个生成式的世界构建，源于我对气候变化情境下人类境况的变化的兴趣。它为一系列作品提供了背景设定，包括影像、角色扮演卡牌游戏和表演性讲座。
该设定主要关注两种新的城市建筑形态：水上城市与城市再野化。这两种形态常作为城市应对气候问题而可能进行的地景改造方案。这个世界构建中，一些沿海城市关于这两种方案的极端版本进行选择。《临近的抉择》作为科学幻想或者推演性虚构，为作品提供了一个生成式的背景，激发与承载不同的观念与叙事。
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Imminent Decisions: A Generative Lecture-performance on Ecology and TimeVortex by MACA Art Center, Fotografiska Shanghai



This lecture-performance features three sets of eco-fictional stories, many co-written with AI. The stories are climate-inspired but also about entangled coexistence, chaos of causality, dilemmas of decision making, and the ironies of time. 

Made and performed with Fuser AI.

《临近的抉择：一场关于生态与时间的生成式讲演》

 MACA艺术中心“漩涡”特别沙龙项目，上海Fotografiska


这个表演性讲座项目包含三组生态叙事，大部分由AI共同写作。这些故事聚焦于城市居民为未来的改造方案进行研究、测试与决策的过程。这些故事虽然基于气候问题，但更多是关于纠缠的共存、因果的混沌、抉择的困境、时间的讽刺。

使用Fuser AI制作并作为表演媒介。





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Imminent Decisions: A Role-playing Card GameWorkshop at Times Museum GuangdongIn this role-playing card game, players take on various roles to analyze the pros and cons of the floating city and the rewilded city plans. Through the game, players conduct debates and votes to decide the winning plan while responding to various in-game events that may alter the world state and influence the decision making process.


《临近的抉择：角色扮演卡牌游戏》 广东时代美术馆工作坊在这套角色扮演卡牌游戏中，各色职业背景的参与者组成专家委员会，从各自的身份角度分析评估“水上城市“与”森林城市“两种大规模改造方案的利弊。在游戏过程中，玩家将进行辩论和投票以决定最终胜出的方案。同时，各种游戏事件也将影响世界状态与决策过程。
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		<title>star house above the breaking waves</title>
				
		<link>https://hurui.ooo/star-house-above-the-breaking-waves</link>

		<pubDate>Thu, 28 Nov 2024 17:23:25 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/star-house-above-the-breaking-waves</guid>

		<description>Star House above the Breaking Waves, 2024, Single-channel Video, 19:54&#38;lt;碎波上的星光行&#38;gt;，2024-2025，单频影像，19分54秒
Music: YUAN Keru
3D Modeling: Jiayang Huang, HU Rui
Narrator, 

CHAN

Tsuen 

Commissioned by the exhibition One Way Ashore, A Thousand Channels, Guangdong Times Museum, Curated by TAN Yue
Special Thanks to XINTIANDI and UCCA "RanRan" Young Artists Support Program

Installation at Times Museum, Guangzhou:

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Star House above the Breaking Waves explores the entanglement of ecology, history, and economy in the history and future of a coastal city by the South Sea. Through a fragmented narrative framed by a hacked AI archivist, the work juxtaposes ancient myths, pirate tales, the history of real estate development, and the conditions of climate change to depict a complex multigenerational relationship with the ocean. Tracing the lineage of the Chinese God of Fire and the South Sea, a Qing-era pirate turned scholar, a 20th-century Hong Kong real estate mogul, and a near future when various factions explore different approaches to floating lives on the ocean, the work examines how systems of power and resistance shape our past, present, and speculative future as we imagine alternative ways of inhabiting the planet.

作品《碎波上的星光行》讲述了一个华南沿海城市的历史与未来。当地为应对气候变化而开发建造水上社区，背后则暗含着源于历史的权力博弈。通过一位功能受损的人工智能档案员的叙述片段，作品将关于火神与南海神话、清朝海盗故事、20世纪房地产开发历史与未来气候叙事并置，描绘人与海洋之间微妙的跨世代连结，试图探寻其中生态、历史、经济与水陆视角之间的交织与纠葛。

Stills:


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Trailer 预告片:

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		<title>nondeterministic personality complex 1</title>
				
		<link>https://hurui.ooo/nondeterministic-personality-complex-1</link>

		<pubDate>Mon, 26 Feb 2024 17:49:25 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/nondeterministic-personality-complex-1</guid>

		<description>Nondeterministic Personality Complex #1, 2023, mixed media (aluminum alloy, resin, video on monitor, video on mobile screen, video on portable analogue television, analogue signal transmitter, PC cooling fan, fan controller, blue screen fabric, pigment print, media player)&#38;lt;非决定型人格综合体1号&#38;gt;，2023&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ad288e3e50f19e2ebd5214666c2129a2a37aa25cbe1a3fd4fea2e35d53d85517/NNN05319.jpg" data-mid="205502099" border="0"  src="https://freight.cargo.site/w/1000/i/ad288e3e50f19e2ebd5214666c2129a2a37aa25cbe1a3fd4fea2e35d53d85517/NNN05319.jpg" /&#62;&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/96b2c9a1930fb921720b1eef211b332bbda3a02926d7c1d36c0f1db152edd4bd/NNN05341.jpg" data-mid="205502100" border="0"  src="https://freight.cargo.site/w/1000/i/96b2c9a1930fb921720b1eef211b332bbda3a02926d7c1d36c0f1db152edd4bd/NNN05341.jpg" /&#62;




To what extent might machine learning inherit irrationality from humans as it processes our mental output? The work Nondeterministic Personality Complex #1 continues my interest in the history of how the graphics card (GPU) turned from a device primarily for image rendering and video gaming to their current role as the infrastructure for artificial intelligence with applications in various fields from science to finance. Drawing inspiration from Magi in Neon Genesis Evangelion, a supercomputer trinity representing three personality traits that ultimately made a destructive choice due to romantic obsession by one of the traits, this work is conceived as a decision-making machine incorporating a persona. The installation of the work takes the form of an enlarged open computer chassis, and functions as a technocultural assemblage combining elements from popular culture, history of technology, and personal experience to explore emotion and irrationality in the age of machine learning. 



The installation features three videos. One video is made by a computer technician and vlogger by my request, in which he documents the process of disassembling an old graphics card made in 2008–the first generation of graphics cards that can run machine learning–while blending technical explanations with personal anecdotes. Another video juxtaposes original tech demo footage for 3D visual effects software with their machine learning reinterpretations. Lastly, a poem written from the perspective of a flawed graphics card is shown on a portable analog television.当机器学习不断解析人类的精神产物时，它会从我们身上继承多少非理性的特质？作品&#38;lt;确定性人格复合体1号&#38;gt;延续我对于计算机图形处理器（显卡）历史的兴趣，关注显卡如何从原本主要用于图像渲染和游戏娱乐的专用硬件，逐渐转变为支撑机器学习人工智能的关键基础设施，广泛进入包括科学与金融等众多领域。作品的概念源自《新世纪福音战士》中名为“三贤者”（Magi）的超级计算机： 一组由三重人格组成决策机器，最终因为其中一重人格的情感痴迷而做出毁灭性的决策。作品装置形式是一台大型开放式电脑主机，融入对大众文化、技术史及个人经历的拼贴，探讨机器学习时代的情感与非理性。

作品装置中包含三段影像。其中一段由我邀请的一位电脑维修师兼视频博主制作，他在视频中边讲述边拆解一块生产于2008的旧显卡，这代显卡是最早支持机器学习的型号之一，而讲述内容穿插了技术细节与个人叙事。另一段影像将3D视觉特效软件的技术演示片段及其经由机器学习重新演绎的版本进行并置。第三段影像通过一台手持式模拟电视播放，字幕循环着一首小诗， 讲述一块天生带有缺陷的显卡的内心独白。




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		<title>matrix model and uberbau</title>
				
		<link>https://hurui.ooo/matrix-model-and-uberbau</link>

		<pubDate>Tue, 31 Jan 2023 22:18:54 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/matrix-model-and-uberbau</guid>

		<description>Matrix Model and Uberbau, 2019-2023, real-time simulation.&#38;lt;矩阵模型与上层建筑&#38;gt;，2019-2023，实时模拟
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(installation shot)

Artist - Rui Hu
Simulation Scripting - Rui Hu
Deep
 Learning and Data Analysis - Susan Yingshu Chen


screenshorts 截图:



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Statement:

A few years ago, when I was touring the Suzhou Creek on a rainy night in Shanghai, several young individuals in business suits rushed past me in haste. One of them accidentally dropped a stack of papers. He yelled, “Wait!” while frantically collecting the scattered documents. This scene left a lasting impression and became the visual foundation for the work. "Matrix Model and Uberbau" (2023) is a real-time game-based simulation using image and text to reflect on the synchronicity between the evolution of artificial intelligence and computer graphics technology, and the fluctuations of financial markets. The year 2008 stands as a stark symbol in this narrative—a time when economies globally were ravaged by crisis following a period of deceptive prosperity, with especially devastating impacts on the stock and housing markets. The Shanghai Stock Exchange Index climbed to an all-time high, before plummeting from well over six thousand points to under two thousand just months before the Beijing Olympics. In the United States, the financial market crash rooted in the subprime mortgage crisis revealed the vulnerability and unfairness of Wall Street. Amidst this economic turmoil, Nvidia unveiled CUDA, making general-purpose computing on the Graphics Processing Unit (GPU) streamlined and accessible. Traditionally used to produce images rooted in military and entertainment, GPU has since infiltrated numerous domains including AI, scientific computing, and finance, due to its prowess in parallel computing and matrix operations. My work reflects on this history, with various scripted events in the simulation driven by “predictions” of the 2007-08 Shanghai Stock Exchange Index using a deep learning neural network trained on the first-generation consumer GPUs with CUDA support. The frantic activities taking place in a space half sports stadium and half construction site are observed from automatically switched viewpoints and accompanied by the voices of Hong Kong comedian Wong Tze-wah joking about financial and housing markets and an AI-cloned Zizek discussing graphics technology and ideology. The work asks: could the widespread adoption of advanced deep learning, powered by computer graphics apparatus, equip us with the foresight into disasters previously unforeseen, or will it only further bolster the hollow self-perpetuating nature of finance capitalism? This question cascades into multiple subtopics—basic needs versus desires; the notion of "model" in graphics, sciences, and economics; the emotions and psychology in housing and stock market; the uncertainty and violence of life; and the paradoxical thought that the only perfect model might be the one that embrace its inherent inaccuracy.


几年前的一个雨夜，我走在苏州河边，几个穿着西装的青年从我身边匆匆跑过。其中一人不小心掉了一叠文件。他边喊着：“等等！”边忙乱地收集散落一地的纸张。后来我经常会回想起这个场景，于是它成为了作品的视觉基础。《矩阵模型与上层建筑》（2019-23）以实时游戏程序模拟探索人工智能与计算机图形技术的交织演变，以及与金融市场波动之间的共时性。 2008 年是这一叙事中的重要节点——全球经济在经历了一段虚假的繁荣后，危机突然降临。上海证券交易所指数先是攀升至历史最高点，随后在奥运会开幕的几个月前崩塌，从六千点跌至两千以下。在美国，源于次级抵押贷款危机的严重股灾也暴露了华尔街的脆弱与不公。经济动荡的前后，英伟达 (Nvidia) 公司推出了 CUDA平台，使通用计算在图形处理单元 (显卡，或GPU) 上得到普及。 过去，显卡通常是游戏玩家或视觉娱乐产业关注的设备，但在此后，由于显卡擅长并行计算和矩阵运算，逐渐成为基于机器学习的人工智能的硬件基础，进入科学与经济等众多领域。作品反思这段历史，使用在第一代支持CUDA通用计算平台的消费级显卡上训练的深度学习神经网络，对 2007-08 年的上证指数进行分析和“预测”，以驱动模拟中的各种行为与事件。自动切换的摄像机视角展示着竞争和暴力的同时，语音也会随之切换：香港喜剧演员黄子华讲述关于股票交易和住房市场的笑话，人工智能生成的齐泽克讨论着从资本主义到游戏等话题，以及上海话的股市数据播报交织在一起。 由计算机图形设备带动的深度学习的普及，是否能让我们对以前无法预见的灾难获得先见之明？或者，这种技术是否只会进一步强化金融资本主义空洞的自我延续的本质？作品围绕这些问题展开——基本需求与欲望；图形学、科学和经济学中的“模型”概念；房地产市场和股市中的情绪与心理；生活的不确定性与暴力；以及一种矛盾的认知：唯一完美的模型，可能只会是那些拥抱自身不准确性本质的模型。




Screen recording excerpt 录屏片段:












</description>
		
	</item>
		
		
	<item>
		<title>the holographic decoherence of cosmic quantum gravity wanderers...</title>
				
		<link>https://hurui.ooo/the-holographic-decoherence-of-cosmic-quantum-gravity-wanderers</link>

		<pubDate>Wed, 24 May 2023 16:37:46 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/the-holographic-decoherence-of-cosmic-quantum-gravity-wanderers</guid>

		<description>The Holographic Decoherence of Cosmic Quantum Gravity Wanderers in a Supersymmetric Uncertainty Environment, 2022, Cat Pics, Particle Simulations&#38;lt;宇宙量子重力漫游者在超对称不确定环境中的全息退相干&#38;gt;，2022，猫猫照片，粒子模拟


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This series is a commissioned collaboration with pidan, a cat product designer brand. The series is included in pidan’s first issue of art zine.

&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/d5eec1684b03dfeb78ebba82cae8015ff35b0ca2e327e42b3bcbb1ee51e9df41/pidan.jpg" data-mid="230598012" border="0"  src="https://freight.cargo.site/w/1000/i/d5eec1684b03dfeb78ebba82cae8015ff35b0ca2e327e42b3bcbb1ee51e9df41/pidan.jpg" /&#62;
&#60;img width="1080" height="1512" width_o="1080" height_o="1512" data-src="https://freight.cargo.site/t/original/i/2875a7a4512aaacee17bc5b6a08efae8a552ac10492efbf9eab99685ad2bc767/pidan2.jpg" data-mid="230598229" border="0"  src="https://freight.cargo.site/w/1000/i/2875a7a4512aaacee17bc5b6a08efae8a552ac10492efbf9eab99685ad2bc767/pidan2.jpg" /&#62;&#60;img width="1051" height="697" width_o="1051" height_o="697" data-src="https://freight.cargo.site/t/original/i/7839313f215deb7820e3b1ac6f2b672b40e26bbd08a98bc1ce135fb5ce312819/pidan3.jpg" data-mid="230598225" border="0"  src="https://freight.cargo.site/w/1000/i/7839313f215deb7820e3b1ac6f2b672b40e26bbd08a98bc1ce135fb5ce312819/pidan3.jpg" /&#62;
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/ff54ace46e7bbd6fe0cd4d80f68c5b51f82f42d4c219eaf6e1a7681eb99e06be/pidan4.jpg" data-mid="230598249" border="0"  src="https://freight.cargo.site/w/1000/i/ff54ace46e7bbd6fe0cd4d80f68c5b51f82f42d4c219eaf6e1a7681eb99e06be/pidan4.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>a comprehensive theory</title>
				
		<link>https://hurui.ooo/a-comprehensive-theory</link>

		<pubDate>Wed, 13 Jan 2021 10:00:37 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/a-comprehensive-theory</guid>

		<description>

A Comprehensive Theory, 2021, single-channel HD video with sound&#38;lt;全面理论&#38;gt;，2021，单频有声影像

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7da6906f6a2ad605a1a2b9df711c27c3b8c841151bc37daa5083d65666588a80/vlc_rEIto2oVmT.jpg" data-mid="94917521" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/7da6906f6a2ad605a1a2b9df711c27c3b8c841151bc37daa5083d65666588a80/vlc_rEIto2oVmT.jpg" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4e269c51cefca92923b7bb739274d6f0bf5a34b10c1bc15be836a42ae2a8bd0f/vlc_RCuQJOI57V.jpg" data-mid="94917534" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/4e269c51cefca92923b7bb739274d6f0bf5a34b10c1bc15be836a42ae2a8bd0f/vlc_RCuQJOI57V.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4c8f12a74e17c1e4b1e029c0851016855aab2de773bcc8883dbe91891b6b8aba/vlc_Da1uc9QNkS.jpg" data-mid="94917515" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/4c8f12a74e17c1e4b1e029c0851016855aab2de773bcc8883dbe91891b6b8aba/vlc_Da1uc9QNkS.jpg" /&#62;"A Comprehensive Theory" is a 3D simulated video work focusing on formal experiments. It originates from the question how in several languages, the word "clue", now means a trace or piece of information that can lead to further revelation, originally referred to lines or strings. Further inspired by the pursuit of the ultimate knowledge in quantum physics and cosmology, the linear form is used to explore the duality of connection and confinement, chaos and order, and parallel and entanglement. 

影像作品《全面理论》是一次形式实验。在多种语言中，“线索”一词都带有对绳索形象的指涉，并由此延申出可以进一步被揭示的信息痕迹。作品由此语言概念出发，以“线索”的形象贯穿全片，并结合来自量子力学和宇宙起源学说里的概念意向。其组成的各种结构，包括绳结与网络，暗含着关联与束缚、混乱与秩序，平行与纠缠等双重对立可能性。
片段 Excerpt:



</description>
		
	</item>
		
		
	<item>
		<title>would you help me to carry the stone</title>
				
		<link>https://hurui.ooo/would-you-help-me-to-carry-the-stone</link>

		<pubDate>Tue, 27 Aug 2019 06:44:27 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/would-you-help-me-to-carry-the-stone</guid>

		<description>Would You Help Me to Carry the Stone, 2017-2020, single-channel video with sound, 08:58

&#38;lt;你能帮我搬这石头吗&#38;gt;，2017-2020，单频有声影像，08:58

Screenshots:

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/731becff1f94cddb42c881a0affc2fccaaf4c4e40295755951d76dc776470c71/vlc_M3KPSCHSqm.jpg" data-mid="94910177" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/731becff1f94cddb42c881a0affc2fccaaf4c4e40295755951d76dc776470c71/vlc_M3KPSCHSqm.jpg" /&#62;

&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/03c4ef14334cefab982e5e422f25b99851aa5376559c4ed1106ef02037bbb9cf/vlc_OOe4az3qx2.jpg" data-mid="210861691" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/03c4ef14334cefab982e5e422f25b99851aa5376559c4ed1106ef02037bbb9cf/vlc_OOe4az3qx2.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4b8700eac375b84e774367eb260b42d32d6d95a9541dcfa663c4e159acd57d5b/vlc_N608NMUziA.jpg" data-mid="94910196" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/4b8700eac375b84e774367eb260b42d32d6d95a9541dcfa663c4e159acd57d5b/vlc_N608NMUziA.jpg" /&#62;
In this video work, two narratives unfold: the quest in a video game level about looking for three missing friends, and a conversation between two game players with unspecified relationship around a deadly school shooting. It is an attempt to discover but at the same time blur the connections between events and thoughts. The work tries to deal with the delicate issue of gun violence and video game, a issue more specific to the American context where I was situated at the time. It centers around the tragic Sandy Hook Elementary School shooting in 2012, on which the State Attorney's final report devoted an entire chapter to the shooter's gaming habits and provides detailed accounts on different aspects of the shooter’s engagement with video games.

我在2017年做过一段研究和一系列图像作品，关于数字世界与现实社会的各种纠缠事件，过程中读到一份美国检察官对某校园枪击案的结案报告，当中花了一整个章节叙述疑犯的电脑游戏爱好。影像作品《你能帮我搬这石头吗》，衍生于这个事件，并经过多次重构，先被制作成一个电脑游戏关卡，又从中提取出游戏画面和叙事元素，并与现成素材一起重组为最终的影像。场景中的物件（例如键盘、泡面、分级标签等）不仅为游戏关卡中的叙事服务，同时又指向“游戏”这一媒介本身。


Excerpt 片段:





 Would You Help Me To Carry The Stone, video installation (HD video with sound, iron plates, ropes, Cola cans, first-aid bags, printed vinyl)
guī space, M Woods Museum Hutong, Beijing&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/924c6d9db2372ed0d2d290b05b25c1c98c5bb51d9d6bfd0db3761310649d4adf/MWoods_Install_01.jpg" data-mid="94910632" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/924c6d9db2372ed0d2d290b05b25c1c98c5bb51d9d6bfd0db3761310649d4adf/MWoods_Install_01.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/45ab107e736e663fa1e2ef76a966a7dfbd08503d880e4c45cd9de707df49d76f/MWoods_Install_02.jpg" data-mid="94910633" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/45ab107e736e663fa1e2ef76a966a7dfbd08503d880e4c45cd9de707df49d76f/MWoods_Install_02.jpg" /&#62;



</description>
		
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	<item>
		<title>high fidelity magic spell</title>
				
		<link>https://hurui.ooo/high-fidelity-magic-spell</link>

		<pubDate>Wed, 29 Apr 2020 17:16:09 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/high-fidelity-magic-spell</guid>

		<description>
High Fidelity Magic Spell, 2019-20, mixed-media installation (rusted metal pipes, ropes, blue ceramic tiles, five-color cushion, printed cloth, video)
&#38;lt;高保真神咒&#38;gt;，2019-21，影像，混合媒介装置
&#38;nbsp;


&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/dff47c5b8427bf987e6eda544ead78087db5747856841edd80fa82d6abf8b813/final.jpg" data-mid="77625669" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/dff47c5b8427bf987e6eda544ead78087db5747856841edd80fa82d6abf8b813/final.jpg" /&#62;
Installation view at UCCA Center for Contemporary Art, Beijing.

Video stills:




&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a73dbe74a8d00c945c5c3f0063e08a43c55692e4576f03c95dab37b20f7c4067/vlc_vtw35uCNlO.png" data-mid="180111466" border="0"  src="https://freight.cargo.site/w/1000/i/a73dbe74a8d00c945c5c3f0063e08a43c55692e4576f03c95dab37b20f7c4067/vlc_vtw35uCNlO.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7e08becb04ab8c2d36ea585fdc342c2bb532df617cb0a676f8e1d0214f260aaf/vlc_88lGI632pW.png" data-mid="180111470" border="0"  src="https://freight.cargo.site/w/1000/i/7e08becb04ab8c2d36ea585fdc342c2bb532df617cb0a676f8e1d0214f260aaf/vlc_88lGI632pW.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cdb7f9a68b445298a06b780009eba3f049ea908d4adf38ded0d957c820b1f38a/vlc_gO64zkfxWQ.png" data-mid="180111474" border="0"  src="https://freight.cargo.site/w/1000/i/cdb7f9a68b445298a06b780009eba3f049ea908d4adf38ded0d957c820b1f38a/vlc_gO64zkfxWQ.png" /&#62;
High Fidelity Magic Spell presents a ritual performed by two gods trying to revive humanity, taking place in a dystopian society destroyed by the division between those who manage information and those who have no access to truth. The central object in the ritual is a materialized Chinese idiom "一五一十 (Yi Wu Yi Shi)", or literally "one five one ten." It originally refers to the act of counting by five or ten, which is extended to mean "to tell things as they are, truthfully and thoroughly." It is a very ideal state that is difficult to achieve, and in this sense it turns into a myth in itself. It is an attempt to be an ambiguous reflection on truth, history, media, and information from shifting perspectives ranging from pseudo-science to eastern philosophy.

作品《高保真神咒》在影像里构建了一个净土世界与秽土世界相互重叠的虚拟空间。在秽土世界中，基于真假信息买卖形成的信息经济，在一段时间的繁荣后崩塌并引发战争，最终使得人类社会全面毁灭。在多重时空中，两个神话角色，边进行着他们的工作——用一场仪式挽救人类，边以游离于虚实之间的方式谈论着人类世界的这场灾难。叙事中作为仪式器物的，是一个实体化的词语“一五一十”。这个外形极简、字面意思模糊、含义可望不可及的词语，在影片中成为符咒和图腾，被赋予召唤真相的魔力，由此带出一段关于信息与真实的讨论。




High Fidelity Magic Spell, 2019-2020,&#38;nbsp;video,17:30


excerpt：





</description>
		
	</item>
		
		
	<item>
		<title>feng shui augmentor...</title>
				
		<link>https://hurui.ooo/feng-shui-augmentor</link>

		<pubDate>Sun, 13 Oct 2019 23:13:05 +0000</pubDate>

		<dc:creator>Rui HU 胡芮</dc:creator>

		<guid isPermaLink="true">https://hurui.ooo/feng-shui-augmentor</guid>

		<description>
Feng Shui Augmentor for Today's Technologically Sophisticated Homes, 2019, computer software, 5-channel video installation, randomized infinite motion, dimension varies

强效科技家居风水，2019，计算机软件，五频影像装置，随机无限生成动态，尺寸可变


&#60;img width="607" height="1080" width_o="607" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6de72855796d663f9da47dbc0a0afee1f7a33466ffb9b3a5d64cd792e09ca3b6/SS_WaterRoom01.jpg" data-mid="177496939" border="0"  src="https://freight.cargo.site/w/607/i/6de72855796d663f9da47dbc0a0afee1f7a33466ffb9b3a5d64cd792e09ca3b6/SS_WaterRoom01.jpg" /&#62;
&#60;img width="607" height="1080" width_o="607" height_o="1080" data-src="https://freight.cargo.site/t/original/i/789f1df57d0640eb65e19d39a0c146b1713e0b5e0c9418d35da29165ee1205d1/SS_MetalRoom01.jpg" data-mid="177496940" border="0"  src="https://freight.cargo.site/w/607/i/789f1df57d0640eb65e19d39a0c146b1713e0b5e0c9418d35da29165ee1205d1/SS_MetalRoom01.jpg" /&#62;
&#60;img width="1081" height="1921" width_o="1081" height_o="1921" data-src="https://freight.cargo.site/t/original/i/4d8259392da551d05a4668253f00f4ffc3a18baa70df9806211b4fc6b5961da7/SS_WoodRoom01.jpg" data-mid="177496943" border="0"  src="https://freight.cargo.site/w/1000/i/4d8259392da551d05a4668253f00f4ffc3a18baa70df9806211b4fc6b5961da7/SS_WoodRoom01.jpg" /&#62;
&#60;img width="607" height="1080" width_o="607" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b40eb17eb01ced058011ab4ff17a1b79292df1f306623e426b8b4cd252775333/SS_FireRoom01.jpg" data-mid="177496945" border="0"  src="https://freight.cargo.site/w/607/i/b40eb17eb01ced058011ab4ff17a1b79292df1f306623e426b8b4cd252775333/SS_FireRoom01.jpg" /&#62;
&#60;img width="607" height="1080" width_o="607" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1c9d0e3e9db34e966cbee35a4463edd5c81a25b0265697471292caf8fa51e818/SS_EarthRoom01.jpg" data-mid="177496944" border="0"  src="https://freight.cargo.site/w/607/i/1c9d0e3e9db34e966cbee35a4463edd5c81a25b0265697471292caf8fa51e818/SS_EarthRoom01.jpg" /&#62;


截屏片段：screen recordings collection:


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